マシンビジョンにおけるF値とは？ 絞り、被写界深度、回折について解説
The aperture parameter that sets light throughput, depth of field, and diffraction. Why engineers call low F-numbers fast, plus numerical aperture, the entrance pupil, and low-light lens selection.
F-number (written f/#) is the ratio of a lens's focal length to the diameter of its entrance pupil: a 25mm lens with a 12.5mm entrance pupil is an F/2 lens. In machine vision, f-number is the control knob for the core imaging tradeoff: light throughput versus depth of field versus diffraction-limited sharpness.
F-number is not focal length: two lenses with the same EFL can have different apertures, and two lenses at the same f-number can frame different scenes. This guide covers the definition, numerical aperture, and the entrance pupil that defines f/#.
レンズのF値とは何ですか？
F-number (f/#) is the ratio of a lens's focal length to its entrance pupil diameter. It is dimensionless. It appears on every machine vision lens datasheet and determines how much light reaches the sensor per unit time. A lower f-number means a larger aperture and more light. A higher f-number means a smaller aperture, less light, and more depth of field.
The standard stop sequence (F/1.4, F/2, F/2.8, F/4, F/5.6, F/8, F/11, F/16) advances by factors of √2 in pupil diameter, and each step halves the light reaching the sensor: F/2.8 to F/5.6 is two stops, a factor of 4.
Why low F-numbers are called fast
Engineers call an F/1.4 lens fast and an F/8 lens slow, and the vocabulary is about exposure length, not glass. A wider aperture collects the same light in less time, so early photographers could expose a plate faster. A higher F-number needed a longer, slower exposure. The words predate machine vision by a century but carry over directly: on a moving line, a fast lens reaches the target signal level inside the motion-blur window.
Many lenses reach their flattest performance one to two stops down from wide open, but the crossover depends on the design and the pixel size. The only reliable confirmation is MTF data measured at the working aperture, across the field.
F値は被写界深度にどのような影響を与えるのでしょうか？
Depth of field increases approximately linearly with f-number: doubling the f-number roughly doubles the in-focus range at the same focal length, working distance, and circle of confusion. Stopping down is the first tool to try when parts show height variation, at the cost of light. The full treatment, including the circle of confusion, hyperfocal distance, and the diffraction ceiling, lives in the Commonlands depth of field guide.
For working numbers, skip the algebra and run the depth of field calculator with your focal length, f-number, working distance, and pixel pitch. It also computes the relative amount of light between two F-numbers, so one pass answers both the sharp-zone and the exposure question.
F値は光量と露光時間にどのような影響を与えるのでしょうか？
Image-plane irradiance scales with 1/(f/#)². Each full stop increase in f-number halves the light reaching the sensor, so going from F/1.4 to F/8 costs a factor of 32. Every stop given up must be recovered with longer exposure, brighter illumination, or higher gain.
Each recovery path has a cost. Longer exposure increases motion blur: at conveyor speeds of 200–500mm/s, an extra 1ms of exposure adds 0.2–0.5mm of smear at the object. More illumination power means more heat and larger drive electronics. Higher gain amplifies noise along with signal.
Machine vision has one structural advantage over photography: illumination is usually programmable. LED rings, backlights, and strobes turn up when the aperture is stopped down. Small apertures become practical in industrial systems. The lighting budget still has to be designed, not assumed.
回折による解像度の限界はいつ生じるのか？
Diffraction limits resolution once the Airy disk, the smallest spot even a perfect lens can form, grows past the sensor's pixel pitch. The disk grows linearly with f-number, so every stop of depth of field bought by closing the iris eventually costs resolution. For 3.45µm pixels the crossover arrives around F/4–F/5.6; larger pixels tolerate more.
The pixel-pitch table and the sensor-side math are worked through in the Commonlands spatial resolution guide. Check your aperture against your pixel pitch before stopping down past F/8.
開口数とは何ですか？
Numerical aperture (NA) is the angular measure of the light cone an optical system accepts: NA = n × sin(θ), where n is the refractive index of the medium and θ is the half-angle of the acceptance cone. In air, NA = sin(θ), below 1.0 for camera lenses.
NA and f-number describe the same acceptance cone from different directions: NA as an angle in the medium, f/# as a ratio of focal geometry. Machine vision datasheets and iris rings use f-number. Microscopy and fiber optics use NA, partly because immersion media with n > 1 push microscope NA above 1.0. Convert once and stay in one convention.
NA is not an image quality score: it says nothing about MTF, distortion, or relative illumination. The Commonlands EFL calculator documents the f/# = f/D = 1/(2 × NA) relationship.
レンズの入射瞳とは何ですか？
The entrance pupil is the image of the aperture stop seen from the object side of the lens. Look into the front of a lens against a bright background and the circular bright opening is the entrance pupil. A front group with 1.5× pupil magnification turns a 10mm iris opening into a 15mm pupil, which is why published f-numbers derive from pupil size, not the iris blade opening.
| 用語 | 概要 | エンジニアがなぜこれを重視するのか |
|---|---|---|
| 絞り値 | 光線束の直径を制限する物理的な要素（通常はアイリスアセンブリ） | その直径は、フロントグループの倍率に応じて、入射瞳の大きさを決定する |
| 入射瞳 | オブジェクト空間から見たストップの画像 | Defines f/# = f / D_EP |
| アイリスの直径 | 特定の設定における物理的なアイリスブレードの有効開口径 | Generally not the entrance pupil in lenses with a front group. Unless the pupil magnification is exactly 1×, plugging it into f/# = f/D gives the wrong answer |
To recover the pupil diameter from datasheet values, invert the definition: D_EP = f / f/#. The Commonlands CIL532 12mm C-mount lens has a pupil of about 6mm at F/2.0. The CIL544 25mm lens at F/1.8 has a pupil of about 13.9mm. Each iris position is a different entrance pupil diameter.
低照度環境でのマシンビジョン用レンズは、どのように選べばよいでしょうか？
A low-light machine vision lens collects enough photons per frame for an acceptable signal-to-noise ratio without an exposure time that causes motion blur. The lens contributes aperture, transmission, and stray-light suppression. The rest is pixel size, target velocity, and illumination strategy.
Aperture is the primary optical lever. Moving from F/2.8 to F/1.4 quadruples the photons collected per unit time, and SNR in a shot-noise-limited sensor improves with the square root of photon count. Transmission matters too: coating quality and the number of air-glass surfaces set how much light arrives.
Pixel size sets the sensor side of the budget: a 4.2µm pixel collects far more photons than a 1.85µm pixel at the same scene brightness and exposure. Confirm the lens image circle covers the sensor diagonal before comparing f-numbers. See the CMOS sensor size guide.
The motion budget closes the loop. If the target moves at velocity v and the acceptable blur is one pixel's footprint at the object, the maximum exposure is that footprint divided by v: 4µs at 1m/s with a 4µm footprint. When even an F/1.4 lens cannot clear the noise floor in that window, the answer is illumination, not more aperture: pulsed LEDs deliver peak intensity far above their continuous rating.
NIR illumination at 850nm or 940nm is often the better answer when ambient light is dim, variable, or must stay invisible to people. It needs an IR-pass filter against ambient visible light and an IR-corrected lens against focus shift. See the NIR imaging guide.
マシンビジョン用レンズにおいて、可変絞り機能がなぜ重要なのでしょうか？
An adjustable iris lets you change f-number after the lens is installed. Many C-mount lenses carry an iris ring spanning wide open to F/16: a setup-time dial for the depth-of-field-versus-light tradeoff. M12 apertures are typically fixed, chosen at purchase.
When part-height variation or a changeover brings a different reflectance or height profile after commissioning, a C-mount system stops down and turns up the LED drive, while a fixed-aperture system changes hardware.
Fixed aperture is not a defect. It is part of what makes the M12 format compact, light, and economical for embedded systems. For consistent targets at a fixed distance, a well-chosen fixed f-number does the same job with fewer parts.
アプリケーション別のApertureの開始点
Treat each starting point below as a first f-number to refine against your depth requirement and pixel pitch, not a fixed rule.
| 用途 | Starting f-number | What drives the choice |
|---|---|---|
| Flat targets | F/2.8–F/4 | Set for field uniformity across the plane. |
| 3D parts with height variation | Smallest f-number that covers the depth range | Keep it below the diffraction limit for the pixel pitch. If depth and diffraction cannot both be met, change the working distance or focal length instead. |
| Barcode and text reading | F/4～F/8 | Stops down for depth while staying at or below the F/8 diffraction ceiling. |
絞り制御と低照度撮影に最適なレンズ
The Commonlands M12 rows run from wide-angle to telephoto, with fixed apertures from F/1.6 wide open to an F/8.0 telephoto variant. The multi-variant lenses let the DOF budget pick the stop at order time. The C-mount rows reach F/1.4–F/1.8 maximum, and the 25mm CIL544 has an adjustable iris. Every aperture below is the figure published on the linked product page. These are examples, not the full range: browse the machine vision lens collection for current options.
| ランク | レンズ | マウントとEFL | 絞り | どのような場合に選ぶべきか | リンク |
|---|---|---|---|---|---|
| 1 | CIL019 | M12, 1.8mm | F/1.6 固定 | Wide-angle low-light scenes. IR-corrected and low distortion, so it holds focus when NIR illumination takes over at night. | CIL019 |
| 2 | CIL339 | M12, 4mm | F/1.6 固定 | Wide-angle automotive builds that need maximum throughput at a fixed stop. | CIL339 |
| 3 | CIL359 | M12、5.9mm | F/1.6 固定 | Automotive and drone cameras at a normal field of view, where a fast fixed stop keeps exposures short. | CIL359 |
| 4 | CIL059 | M12、5.9mm | F/1.7, F/2.8, F/4.0, F/5.6 variants | Low distortion with four fixed apertures: the DOF budget picks the stop at order time, no iris needed. | CIL059 |
| 5 | CIL142 | M12, 14.2mm | F/2.6, F/4.1, F/5.2 variants | Telephoto reach with three fixed stops to trade light against depth of field. | CIL142 |
| 6 | CIL121 | M12, 21.8mm | F/2.8, F/5.9, F/8.0 variants | The longest M12 reach here. The F/8.0 variant maximizes depth of field where illumination allows it. | CIL121 |
| 7 | CIL521 | Cマウント、8mm | F/1.5 maximum | 2/3" 5MP at a short focal length with a bright maximum aperture. | CIL521 |
| 8 | CIL523 | C-mount, 16mm | F/1.4 maximum | The fastest maximum aperture in this list, for short exposures on 2/3" 5MP sensors. | CIL523 |
| 9 | CIL544 | Cマウント、25mm | F/1.8 絞り可変 | 1.1" 25MP measurement work. Sweep the iris to find the depth-of-field and diffraction optimum. | CIL544 |
Frame the scene with the field of view calculator and confirm the working aperture against your pixel pitch before ordering.
Commonlandsは、米国において幅広い種類のM12レンズを取り揃えており、Cマウント、フィルター、ホルダーも併せて在庫しています。太平洋標準時（PST）正午までにご注文いただいた商品は、カリフォルニア州サンディエゴから当日発送されます。ISO 9001:2015認証を取得しています。
よくある質問
Every lens Commonlands stocks lists its F-number on the product page. These answers cover how to read and apply that number.
レンズのF値とは何ですか？
F値（f/#）とは、レンズの焦点距離と入瞳径の比率のことです：f/# = f / D_EP。焦点距離25mm、入瞳径12.5mmのレンズはF/2となります。F値が小さいほど単位時間あたりの光量が多くなり、F値が大きいほど被写界深度が深くなりますが、最終的に回折の影響を受けるようになります。
F値は被写界深度にどのような影響を与えるのでしょうか？
被写界深度は、F値にほぼ比例して深くなります。同じ焦点距離、撮影距離、および円錐像の条件下では、F値を2倍にすると、ピントが合う範囲もおよそ2倍になります。部品の高さにばらつきがある場合、センサーに届く光量を犠牲にするものの、まず試すべき対策は絞り込むことです。
開口数とは何ですか？
開口数（NA）とは、レンズが受け入れる光錐の角度を表す量であり、NA = n × sin(θ) で表されます。ここで、n は媒質の屈折率、θ は受光錐の半角です。 空気中において、無限遠に焦点を合わせたレンズの像側NAは ≈ 1/(2 × f/#) となる。F/1.8のレンズの場合、像側NAは ≈ 0.28 となる。
レンズの入射瞳とは何ですか？
The entrance pupil is the image of the aperture stop as seen from the object side of the lens. Its diameter sets the f-number (f/# = f / D_EP). In multi-element lenses it is not the same as the physical iris opening, because elements in front of the stop magnify or demagnify its image.
低照度環境において、マシンビジョン用レンズの性能を左右する要因は何でしょうか？
マシンビジョン用レンズは、モーションブラーを引き起こすような長い露光時間を必要とせずに、1フレームあたりに実用的な信号対雑音比を得るのに十分な光子を収集できれば、低照度環境でも良好な性能を発揮します。絞り（F値）、レンズの透過率、センサーの画素サイズ、および近赤外（NIR）照明の有無が相まって、システムが実用的な画像を生成できるかどうかが決まります。
絞り値の選び方で迷っていますか？
Send the Commonlands engineering team your sensor format, pixel pitch, working distance, and depth requirement. We will work through the f-number, illumination, and diffraction budget with you.